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The pair, who were first spotted out together in the city last week, were "all over each other" and "super flirty" at the Bowery Hotel Friday night, an onlooker tells PEOPLE.
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These rebels have been fighting a virtuous struggle for years against the tyrannical rule of President Snow (Donald Sutherland) and the Louis XIV decadence of his Capitol. (I’m sorry to do this, but: A capitol is a building, Ms. Collins. A city can only be a capital.) They want Katniss to serve as their revolutionary symbol, or Mockingjay, in a series of vérité-style propaganda videos, and when she sees the scale of genocidal, scorched-earth warfare Snow has been waging against the Districts, she is happy to oblige. Francis Lawrence manages these ambiguous and troubling scenes with terrific skill: There is nothing phony about Katniss’ anguish when confronted with Nazi-like atrocities, or about her passionate hatred for the Capitol. But it’s also being packaged and manipulated toward uncertain ends. There is certainly a difference between Katniss’ “propos” and the anti-rebellion interviews her onetime boyfriend and teammate, Peeta Mullark (Josh Hutcherson), is doing for Capitol TV with radioactive Hunger Games host Caesar Flickerman (Stanley Tucci). But is the difference fundamental, or only a matter of degree?
This is the first of the “Hunger Games” movies not to feature an extended central episode set inside the Hunger Games competition, which Katniss Everdeen, the hero-turned-rebel played by Jennifer Lawrence, destroyed at the end of “Catching Fire.” I suppose potential viewers for “Mockingjay” divide into two groups: Those who want to know almost nothing about what happens, and those who have it all memorized already. Let’s keep it basic: Katniss and a few other Games contestants, including techno-nerd Beetee (Jeffrey Wright) and third-string young hunk Finnick Odair (Sam Claflin), were rescued by a rebel military alliance housed in an underground compound in District 13, previously thought to have been destroyed long ago. So, yeah, it’s a little bit “The Empire Strikes Back” and a whole lot “The Matrix Reloaded,” but without the cute robots or Billy Dee Williams or the rave scenes.
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Unless you read a recent Gawker primer on the election by the British journalist Libby Watson, the story that’s freshest in your mind is almost certainly the one about the elaborately named baby. To be clear, that’s not your fault; and babies are all well and good. But in the interest of closing the gap ?? however little ?? Salon decided to reach out to Watson (full disclosure: she’s a friend) to discuss the election, which she describes as the most interesting one she’s experienced thus far in her life.
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It’s no secret that we struggle to have coherent conversations about consent, and to grasp the (not particularly difficult) concept of willing participation in a physical or sexual behavior. But Bud Light’s latest misstep, and even its subsequent apology, illustrates just why this seems to be so damn challenging. There doesn’t appear to be a whole lot of reflection.
But, as BuzzFeed points out, this is neither the first time Bud Light has, in fact, implicitly condoned “disrespectful or irresponsible behavior” with the #UpForWhatever campaign, nor is it the first time it’s had to apologize for doing so. Last year, in honor of St. Patrick’s Day, the company urged consumers to pinch people who weren’t wearing green, sparking social media backlash over Bud Light’s lack of consideration for consent. Unfortunately, it’s not surprising that — for a second year — controversy has erupted over the very same thing.
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“You are done,” Hoover writes. “There is but one way out for you. You better take it before your filthy, abnormal, fraudulent self is bared to the nation.”
These rebels have been fighting a virtuous struggle for years against the tyrannical rule of President Snow (Donald Sutherland) and the Louis XIV decadence of his Capitol. (I’m sorry to do this, but: A capitol is a building, Ms. Collins. A city can only be a capital.) They want Katniss to serve as their revolutionary symbol, or Mockingjay, in a series of vérité-style propaganda videos, and when she sees the scale of genocidal, scorched-earth warfare Snow has been waging against the Districts, she is happy to oblige. Francis Lawrence manages these ambiguous and troubling scenes with terrific skill: There is nothing phony about Katniss’ anguish when confronted with Nazi-like atrocities, or about her passionate hatred for the Capitol. But it’s also being packaged and manipulated toward uncertain ends. There is certainly a difference between Katniss’ “propos” and the anti-rebellion interviews her onetime boyfriend and teammate, Peeta Mullark (Josh Hutcherson), is doing for Capitol TV with radioactive Hunger Games host Caesar Flickerman (Stanley Tucci). But is the difference fundamental, or only a matter of degree?
This is the first of the “Hunger Games” movies not to feature an extended central episode set inside the Hunger Games competition, which Katniss Everdeen, the hero-turned-rebel played by Jennifer Lawrence, destroyed at the end of “Catching Fire.” I suppose potential viewers for “Mockingjay” divide into two groups: Those who want to know almost nothing about what happens, and those who have it all memorized already. Let’s keep it basic: Katniss and a few other Games contestants, including techno-nerd Beetee (Jeffrey Wright) and third-string young hunk Finnick Odair (Sam Claflin), were rescued by a rebel military alliance housed in an underground compound in District 13, previously thought to have been destroyed long ago. So, yeah, it’s a little bit “The Empire Strikes Back” and a whole lot “The Matrix Reloaded,” but without the cute robots or Billy Dee Williams or the rave scenes.
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Unless you read a recent Gawker primer on the election by the British journalist Libby Watson, the story that’s freshest in your mind is almost certainly the one about the elaborately named baby. To be clear, that’s not your fault; and babies are all well and good. But in the interest of closing the gap ?? however little ?? Salon decided to reach out to Watson (full disclosure: she’s a friend) to discuss the election, which she describes as the most interesting one she’s experienced thus far in her life.
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It’s no secret that we struggle to have coherent conversations about consent, and to grasp the (not particularly difficult) concept of willing participation in a physical or sexual behavior. But Bud Light’s latest misstep, and even its subsequent apology, illustrates just why this seems to be so damn challenging. There doesn’t appear to be a whole lot of reflection.
But, as BuzzFeed points out, this is neither the first time Bud Light has, in fact, implicitly condoned “disrespectful or irresponsible behavior” with the #UpForWhatever campaign, nor is it the first time it’s had to apologize for doing so. Last year, in honor of St. Patrick’s Day, the company urged consumers to pinch people who weren’t wearing green, sparking social media backlash over Bud Light’s lack of consideration for consent. Unfortunately, it’s not surprising that — for a second year — controversy has erupted over the very same thing.
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“You are done,” Hoover writes. “There is but one way out for you. You better take it before your filthy, abnormal, fraudulent self is bared to the nation.”
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